Similarly, in MIT Technology Review, Simon Parkin observes that most players will never encounter the poem in-game, but finds that the two share a sentiment of creation through dream, which Parkin views as revealing the game's "somewhat evangelical" nature. Creswell notes the dissimilarity between the lengthy poem and the minimalist game, but concludes that they fit well together, writing that "he poem disagrees with the idea that the player is nothing compared to the grand scale of the universe" and that "he game's code creates a world that players invest time and care into, much like their real lives". : 10–12 Jacob Creswell in Comic Book Resources also analyses the poem's commentary on dreams and its reference to life as "the long dream" in comparison to "the short dream of a game". Jason Anthony in gamevironments and Matthew Horrigan in Acta Ludologica both highlight the End Poem's comparison of video games to dreams : 10–12 : 17 Anthony also discusses the poem's relevance to the theological implications of Minecraft players' ability to create and destroy worlds. Gough used an image of the same tattoo when discussing the poem's impact. A tattoo quoting from the poem, set in a font similar to Minecraft 's. Gough himself has called the work an "oddity" and "peculiar". Ted Litchfield in PC Gamer describes it as "warm and humanistic" and compares it to the 2015 video game Undertale and the 2017 multimedia narrative 17776. The Atlantic 's James Parker calls it "a goofy/beautiful metaphysical text". Reception Īn early impression by Eric Limer in The Mary Sue was sharply critical, calling the End Poem "nothing but a bunch of text that scrolls down the screen excruciatingly slowly for an excruciatingly long time", which "reads like a stereotypical JRPG ending mashed up with some stuff written by a highschooler who just discovered post-modernist literature." Subsequent commentary leans more favourable: Kevin Thielenhaus in The Escapist calls the poem "mysterious, and kind of weird, and probably not what most of us were expecting from a Minecraft ending". : 10 As of December 2022, it has not been significantly modified from Gough's original version. It is the only narrative text in the game, and the only text of significant length oriented toward the player. The poem scrolls across the screen over the course of about nine minutes speeding it up by manually scrolling is made intentionally difficult. And the player dreamed again, dreamed better. And the game was over and the player woke up from the dream. and the universe said I love you because you are love. The poem culminates with twelve consecutive lines starting "and the universe said", ending with: Small portions are intentionally rendered as glitched text. It begins with the words "I see the player you mean" in teal and a reply of the active player's name in green, followed by about 1,500 words of dialogue between the two speakers, whose identities are never established but have been described in The Escapist as "god-like". It plays alongside the track "Alpha" from C418's soundtrack album Minecraft – Volume Beta. The poem comes on-screen after players kill the Ender Dragon, thus winning the game, and step into the End Portal. The poem debuted, alongside the rest of the end credits and the full endgame mechanics, in Beta version 1.9. Gough played it some more and then wrote the poem. Gough had played Minecraft in alpha at a game jam but had not thought much of it, and was unaware of its popularity until Persson reached out to him. Gough says that Persson gave him broad latitude in composing a written work for the end of the game. According to Gough, Persson contacted him in 2011, after tweeting that he was looking for recommendations for talented writers. Julian Gough wrote the End Poem for the end credits of Minecraft at the request of Markus "Notch" Persson. Motivated by the poem's own words that "you are love" and the love he had received from fans of the poem, Gough decided to release a version of the poem into the public domain rather than entering a legal dispute with Microsoft. In 2022, Gough wrote that he had never signed a contract with Persson's Mojang Studios nor with Microsoft, which bought Mojang in 2014. Critical reception of the poem has been mostly neutral to positive, often emphasising its oddness it has been positively received among Minecraft fans. The poem takes the form of a 1,500-word dialogue between two unspecified, godlike entities, discussing what the player has done in the game, which it compares to a dream. Markus "Notch" Persson, Minecraft 's creator, invited Gough to create the poem in 2011 it initially appeared in Beta version 1.9. It is the only narrative text in the mostly unstructured sandbox game. The End Poem is a poem by Julian Gough that appears in the end credits of the video game Minecraft.
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